Donald Trump has spent his entire life chasing fame and his name in lights. So we are going to give him a monument — the exact opposite of the one he wants.
TACO Trump Tower: a seven-story cube of shipping containers painted in a color we named for exactly what it is — Sissy Hot Pink. That is the official name, and every visitor is told so. What makes it Sissy Hot Pink? We sprinkle the whole tower in glitter to make it pretty. It's ringed in Sissy Hot Pink LED, topped with a glass observation deck and crossed searchlights you can see for miles. On the side, in lights he can never turn off: TACO (Trump Always Chickens Out).
One tower in Miami — a monument to his disgrace, standing long after he is gone. That is what your donation buys: a piece of the permanent record.
Fully automated, app-ordered vending buffet. Big variety, no lines, minimal labor cost. Feeds visitor traffic and funds operations.
Museum-quality art and photography only. Free PG-13 gallery for families; separate $5 18+ gallery for the unfiltered record.
Free enclosed glass observation deck. A genuine public draw — an infrastructure upgrade people will actually thank us for.
The Sissy Hot Pink paint — and yes, that's what we call it, and everyone who comes will know it — the Sissy Hot Pink LED trim, the searchlights rotating in the sky, and finally his name in lights: TACO — Trump Always Chickens Out. The whole structure is engineered to be the loudest, most memorably embarrassing, most unmissable statement of disrespect in Miami.
An art museum and nothing else. Art and photography — no written testimony, no editorials, no lecture format.
Open to all visitors, families included. Curated to land hard within a general-audience standard.
Separate, access-controlled entry. This is where the First Amendment does its full work — the harsh, honest images the news will never show you. America hired this man. If we want to be the good guys again, we have to look straight at what was done in our name.
All submitted artwork is reviewed before display. Prohibited: any sexual content involving minors, images depicting real people being physically harmed, anything that violates the law, and threats against any individual. Permitted: political satire, critical photography, and artistic commentary on public officials and their official actions.
We are seeking $5,000,000 because this project is not just a sculpture, a building, or a very large hot-pink middle finger with zoning paperwork. It is a public monument, a civic warning label, and a national act of memory. The goal is to raise as much of the operating budget as possible up front so admission, programming, and public access can remain affordable for everyone—not just donors, tourists, collectors, or people who already know exactly why this needs to exist.
The money will go first toward doing this correctly: legal formation, compliance, insurance, intellectual-property review, public-trust planning, and the professional structure needed to protect the project for the long term. We expect resistance, and we are not pretending otherwise. There may be legal fights over collecting, displaying, permitting, or even allowing the work to proceed. If officials try to block a lawful public monument because the subject matter embarrasses powerful people, then we will have to be prepared to get creative, stay disciplined, and, if necessary, file the lawsuits required to defend it.
A major share of the budget will also support engineering, design, site planning, permitting, and the practical work of making the monument strong enough, safe enough, and serious enough to survive every city council meeting, building inspection, and pearl-clutching press conference it attracts. Then comes land acquisition, and in Miami, land is not exactly being handed out with a handshake and a fruit basket. If we build this there, we need to be realistic about the cost.
Miami matters most because President Trump appears to be planting his own post-presidency legacy there, including a future presidential library and museum in the city. That makes Miami more than a beautiful, visible, international place to build; it makes it the battlefield of memory. If he intends to plant his official version of history there, then our answer should stand close enough to be seen, close enough to be inconvenient, and close enough to remind people that legacy is not something powerful men get to write alone. In fact, if we do this correctly, this monument may become more visible than his library, more talked about than his golf course, and more popular than anything else he tries to build in Miami. I say that with all due humility, which in this case means almost none. The city may benefit from the tourist draw, the attention, and the cultural traffic this project could bring, but the deeper reason is simpler: if this monument is hidden somewhere comfortable, the person and movement it confronts may never have to look at it. Miami is where the argument belongs.
After the legal, engineering, land, and permitting work is in place, the final phase is construction and installation: assembling the container structure, coating the exterior in unmistakable Trump’s Sissy Hot Pink, mounting the art inside, lighting the building, and developing the nighttime visual elements—searchlights, lasers, and choreographed drone performances—that will make the site impossible to miss. I want people to navigate Miami by it. I want tourists asking what it is before they even know what it means. And then I want them to learn exactly what it means.
The point is not revenge. Revenge is too small, and frankly I do not have the patience to build a national monument just to have a tantrum in concrete and steel. The point is accountability, memory, and public witness. President Trump led an un-American presidency that damaged the country’s standing, dignity, and democratic habits. This project is meant to make sure Americans and visitors from around the world can see, plainly and permanently, what that looked like—and why we should never confuse noise for intelligence, being king for leadership, or bowing down to another government as a form of patriotism again.
$25,000 — Launch. Operations, first legal counsel, organizational setup.
$500,000 — Engineering & legal setup. Structural engineering, creating a legal entity to start legal compliance, permitting and legal groundwork. The minimum to build legally and correctly.
$1,000,000–$1,500,000 — Land. We own the ground the tower stands on. They can't evict us from land we hold the deed to.
Every dollar goes toward shaming Trump into ending this war and saving the lives of children dying because of King Donald. My next move: putting Donald in the record books as the most hated man in history.
Gallery admission ($5, 18+) and automated vending cover daily operating costs with minimal labor. Once the first several towers run, the network funds its own expansion through these streams plus continued crowdfunding.
Operated as a privately held Nevada LLC, built on First Amendment protection from the ground up. The monument targets the official actions of a public official in his official capacity — not private citizens. Land ownership is the first line of defense; mobility is the second — if a site is lost, the tower relocates. Everything is documented and backed up, so a damaged tower is simply rebuilt.
A permanent monument of shame no politician, lawsuit, or platform can erase — and a warning to every future official that the people are watching, the people remember, and the people will dictate how history will see and know you for what you did.
